Aiming to become a community anchor with the capacity to unite theater professionals, students and local residents of all ages, New Haarlem Arts Theatre, the professional theater company of City College of New York (CCNY), will present its first play for young audiences, "Flying Fables," adapted by Obie-winner Stephanie Berry, directed by John-Martin Green with choreography and staging by Bruce Hawkins, and original music by Patricia Ju from July 14 to 27 at Aaron Davis Hall, 135th Street and Convent Avenue.
The play is a modern, urban fairytale about a young ambitious couple, Marie and Charles, who are in flux in their marriage. Waking one morning to a common dream, they follow the dream’s instructions to search for a trunk which they believe holds the key to their happiness in the tunnels of the subways. They are transported into the magical world of fables where they are ushered through a series of tales (from Africa, Asia and South America) by their childhood alter-egos. As the moral of each story unfolds, the main characters experience powerful revelations. Using drama, music and movement the performers bring fresh interpretations to traditional fables.
The actors are Kristen Adele, Michael Anthony, Barron Bass, Craig Dolezel, Danyel Fulton, ChaNel Jenkins, Maggie Lalley and Serge Thony. Original music is by Patricia Ju. Stage Management provided by Got Cha Back Productions.
Stephanie Berry (adapter) is a dancer, an actress, an English teacher, a community and political activist, and an OBIE Award winning playwright. Audiences know her from films including "The Invasion," TV shows including "Law and Order" and her one-woman show, "The Shaneequa Chronicles: The Making of a Black Woman," which received a Village Voice Obie Award and two AUDELCO Awards. Her other plays include "Trouble in Mind," "Distracted," "Gem of the Ocean," Intimate Apparel," "Spunk," King Lear," "Lady Macbeth," "Hamlet" and "The Tale of Madame Zora." She is a 2009/2010 recipient of the TCG/Fox Foundation Resident Actor Fellowship as a "Distinguished Artist." She is a pioneer in arts-in-education and a founding member of Blackberry Productions Theater Company, a Harlem based organization that develops new works and brings theater to underserved populations throughout New York. She is a member of Ensemble Studio Theatre.
John-Martin Green (director) is Co-Founder and Co-Artistic Director of Blackberry Productions and for over twenty-five years, has created original theatre that reflects untold stories and history of African Americans. He has used the arts in schools and community-based-organizations to nurture the cultural health of communities. He has directed "The Rootwoman" by Michael Bradford at Harlem Stage, "Three Sisters," "Willie’s Cut & Shine," and "A Different Flava" at Ensemble Studio Theatre, "The Hand that Slapped Kate" at Bay Street Theatre and "Spiritual Journey" at the Apollo Theatre. He has taught Theatre at New School University, SUNY, Nassau Community and Old Westbury Colleges and at Brooklyn College. He holds a BFA in Drama from Bard College and an MFA in Theatre Directing from Brooklyn College, and is a member of Ensemble Studio Theatre.
Bruce Hawkins (choreographer) received the AUDELCO Black Theater Achievement Award for Outstanding Male Musical Theater Performance for his song and dance work in the New Federal Theater production of Melvin Van Peebles' musical play about Bessie Smith, "The Champeen," in which he played ten different characters with 27 costume changes. He has been on the professional dance faculty of the Alvin Ailey American Dance Theater for several years. He has also taught ballet, modern and jazz in private dance studios and been an adjunct professor of dance and guest artist at SUNY Purchase, NYU, Adelphi, Lehman College for the Performing Arts and University of Washington.
New Haarlem Arts Theatre (NHAT) (www.newhaarlemartstheatre.org) aims to become a professional theater uptown that ranks among the best in the country and to produce bold theatrical works that express the true history, culture, and diversity of America. Under Eugene Nesmith, founding Artistic Director, a management team was formed last year to build and sustain a vibrant cultural institution in partnership with CCNY to offer a home for a professional theater company in which emerging professional actors from the CCNY community work alongside veteran artists of distinction. NHAT works to unite students and local residents in a range of programming that addresses the professional and educational aspirations of the unique and culturally essential neighborhood that is Harlem. Productions encourage artistic freedom, risk taking and bold experimentation with theatrical forms. NHAT also strives to attract audiences from around the City to Harlem again.