Matt Delbridge (set and media design) creates interactive digital scenography for theatre and installation environments working with Motion Capture systems, live interactive video processing software and virtual 3D environments. Most recently he was the digital scenographer for the UK national tour of Jonzi D's Markus the Sadist and Split Britches' Lost Lounge at Dixon Place. Previously, he worked for the State Orchestra of Victoria, the Deakin Motion.Lab, Queen Mary University of London and Barry Kosky's Gilgul Theatre. He is currently an associate artist with the Queensland Theatre Company and lectures in New Media and Scenography in the Creative Industries Faculty at the Queensland University of Technology, Brisbane Australia.
Dixon Place, a non-profit organization, was founded in 1986 to provide a space for literary and performing artists to create and develop new works in front of a live audience. Our mission to support and nurture the development of new work and work in progress from diverse artists and to build new audiences for the work. The artist's experience is given top priority through our professional atmosphere and remuneration, and their process is enhanced through the reaction of our adventurous audiences. Dixon Place is a local haven for creativity as well as an international model for the open exploration of the process of creation.
Performance Space 122 (PS122) provides incomparable experiences for audiences by presenting and commissioning artists whose work challenges boundaries of live performance. PS122 is dedicated to supporting the creative risks taken by artists from diverse genres, cultures and perspectives. We are an innovative local, national and international leader in contemporary performance.
Beginning in 2011, PS122 embarked on one of the most unusual and potentially radical shifts in its history, including a re-structuring of artist support, a business model overhaul, and the renovation of our building. As PS122's East Village home undergoes a much-needed interior renovation supported primarily by the City of New York, DCA and DDC, PS122's core activity continues to be providing audiences with contemporary live performance.
For over 3 decades, Performance Space 122 has been a hub for contemporary performance and an active member of the cultural community. Under the curatorial vision of Vallejo Gantner (Artistic Director 2005 - present) PS122 has developed a set of programs designed to re-establish the value of live performance, provide singular experiences for audiences that inspire critical thinking, and sustain the creative process for artists throughout their career. Largely in partnership with peer organizations, PS122 currently presents artists in all disciplines in spaces all over the city during an annual fall & spring season and COIL festival in January.
In addition to the commissioning and presenting of artists from NYC across the US, and around the globe, PS122 has increased our activity off the stage to provide audiences with a variety of access points and context for the work on stage. These activities include both talkbacks with the artists as well as in depth conversations that bring together luminaries from non-arts disciplines to discuss a variety of topics including everything from religion, to migration, to queer real estate and cultural diplomacy. PS122 encourages the asking of questions and debate of contemporary society's issues in both artistic practice and audience experience.
For more information, visit ps122.org, or find PS122 on Facebook, Twitter @PS122 and YouTube.