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INTO THE WOODS Recordings

jacobsnchz14
Broadway Legend
joined:12/13/06
INTO THE WOODS Recordings
Posted: 4/30/12 at 04:00pm
Which is the better cast recording of INTO THE WOODS? I am about to watch the original cast filming on Netflix and am only leaning toward the recent Broadway recording only because it is newer; don't judge. Lol. Any advice?
Theatre is not just some petty extracurricular activity I do in my spare time. It is my life, it is my passion, it is who I am. Nothing and no one can change that or take it away from me. All the world is MY stage.
Patronus
Broadway Legend
joined:7/24/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 04:02pm
OBCR. Hands down.

“When I was in the military they gave me a medal for killing two men and a discharge for loving one.” - Leonard P. Matlovich
Mister Matt
Broadway Legend
joined:5/17/03
INTO THE WOODS Recordings
Posted: 4/30/12 at 04:04pm
Original Broadway Cast (remastered). Hands down the best interpretation of the material. After that, I like the London cast recording as it sounds quite different (and the tempo of the title song is almost out of control!). The voices may not be as good, but it is such an interesting curiosity (the photos of the set are FASCINATING). The newest recording sounds rather antiseptic and lifeless and I really didn't like some of the changes to the score, especially the end of On the Steps of the Palace.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
fashionguru_23
Broadway Star
joined:4/21/08
INTO THE WOODS Recordings
Posted: 4/30/12 at 05:33pm
OBCR! The performances are magical, and it is in the raw, original form. It sounds the way it should.

The London cast recording is very interesting, once you know the original Broadway company backwards and forwards. The London production was a lot darker than the Broadway one, which works, but it use the original as a basis for everything.

There are some very nice performances from the Broadway revival, but I dislike all the changes they made to the show. To me, the revival tried to make it a children's theatre show, with puppets and bright colours, etc.

They also changed the tempo, and sort of the context of my favourite song, "Last Midnight". The original was more of an anger, piece of rage throughout. In the revival, it becomes a lullaby to the Baker's child, which turns to anger, but doesn't reach the giant high point like the OBC.
"The 54th Street[theatre] had a rep as. . .where old musicals went to die." -Smaxie
Jordan Catalano
Broadway Legend
joined:10/9/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 05:37pm
Whatever you do, stay away from the revival recording. It's like someone took brilliance, shlt all over it and sold it in stores.
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 - "What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians? Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
xxdrewboy85xx
Leading Actor
joined:5/17/07
INTO THE WOODS Recordings
Posted: 4/30/12 at 05:41pm
OBCR as everyone seems to agree on.

The only good thing about the revival recording are the lyric changes in Last Midnight.
ChenoKahn
Broadway Star
joined:6/12/11
INTO THE WOODS Recordings
Posted: 4/30/12 at 05:42pm
I like to listen to Laura's voice more than Kim's but OBCR is unbeatable.
qolbinau
Broadway Legend
joined:6/29/08
INTO THE WOODS Recordings
Posted: 4/30/12 at 06:13pm
I know the revival recording attracts criticism but I do enjoy Vanessa Williams' performance..perhaps because the show is not one of my favourites I have lower standards, lol.

The OBC is 'better' but if you do enjoy the show I don't think it would be a travesty to listen to an alternative later.

Also consider checking out the Regent's Park London filming, it's quite a departure from the original production.

Updated On: 4/30/12 at 06:13 PM
Musicaldudepeter
Broadway Star
joined:3/18/10
INTO THE WOODS Recordings
Posted: 4/30/12 at 06:53pm
Laura Benanti is a treasure on the 2002 Broadway revival cast recording, you can't go wrong with the OBCR however with that sensational dream cast.

My heart belongs to the Original London cast however as Julia McKenzie's glorious Witch is superb, and Imelda Staunton is a fine Baker's Wife.
IdinaBellFoster
Broadway Legend
joined:11/5/06
INTO THE WOODS Recordings
Posted: 4/30/12 at 07:53pm
The Regents Park Production (which will transfer to Central Park this summer) is the perfect production/interpretation of the piece, IMO.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Kad
Broadway Legend
joined:11/5/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 09:15pm
OBCR, supplemented with "Our Little World" from the London recording.
Jordan Catalano
Broadway Legend
joined:10/9/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 09:23pm
I never understood the love for "Our Little World". To me, it's really one of Sondheims lesser songs and I have no idea why he decided to put it back in the show.
"I think Glee is way too sharp, smart, witty, clever and emotionally confronting for the masses." - Dave19 - "What's next? Snow Black and the 7 Swaggers? Shasquirta and the Beast? 101 Weavematians? Willis in Ghettoland?" - Dave19, in reference to the new ANNIE remake.
frontrowcentre2
Broadway Legend
joined:2/20/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 09:36pm
If you are seeing the video you will want the OBCR which will be closer to what you have seen (though not the same..the video was made near the end of the run with some OC members returning just for the taping. The OBC was made the weekend the show opened and captured everyone when they were fresh and new.)

One interesting advantage the OBCR has over later recordings is that it includes verses and segments of songs that were cut from the show before opening.

Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!

I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com

IdinaBellFoster
Broadway Legend
joined:11/5/06
INTO THE WOODS Recordings
Posted: 4/30/12 at 09:39pm
While 'Our Little World' isn't the best song, I do think it was wise to add it back into the show. More foundation is needed for the Rapunzel/Witch relationship. Without it, all Rapunzel does is sing her little "ah" melody.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
AngelorPhantom1359
Understudy
joined:12/25/11
INTO THE WOODS Recordings
Posted: 4/30/12 at 09:51pm
Jordan, I so agree with you! The only time I even slightly enjoyed the song was at the anniversary concert when Bernadette sang it. Other than that, it does nothing for me.

I would definitely buy the OBCR. It is a vastly superior recording, and the only redeeming quality of the Revival recording is Laura Benanti's No One is Alone. Other than that, it was a horrendous mess.
someone.else's.story2
Featured Actor
joined:3/18/07
INTO THE WOODS Recordings
Posted: 4/30/12 at 10:42pm
Definitely the OOBR! I found Vanessa Williams' performance not even in the ballpark of Bernadette in the role. Also, the Little Red on the revival recording was irksome.


“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.” ``oscar wilde``
hyperbole_and_a_half
Leading Actor
joined:3/21/11
INTO THE WOODS Recordings
Posted: 4/30/12 at 10:45pm
OBCR is definitive, but I love the darker, edgier sound on the OLC too.
Kad
Broadway Legend
joined:11/5/05
INTO THE WOODS Recordings
Posted: 4/30/12 at 11:37pm
Ah, I like "Our Little World" a lot. I love the melody and there's some great situational comedy in there. The song was fantastic in the Regent's Park production, and creates a really fantastic contrast to "Stay With Me"... the very next time we see the Witch and Rapunzel.
EricMontreal22
Broadway Legend
joined:10/31/11
INTO THE WOODS Recordings
Posted: 5/1/12 at 03:04pm
I think Our Little World adds a lot as well (BTW it was never put back in the show--it was written for the London production).
fashionguru_23
Broadway Star
joined:4/21/08
INTO THE WOODS Recordings
Posted: 5/1/12 at 04:18pm
Eric, I believe the previous poster was referring to the anniversary concert that was years later, where Bernie sang it.
"The 54th Street[theatre] had a rep as. . .where old musicals went to die." -Smaxie
EatTheBrownie
Stand-by
joined:2/6/12
INTO THE WOODS Recordings
Posted: 5/1/12 at 04:26pm
I think Bernie should do an Into The Woods tribute album. It'll feature various lines of dialogue and bits of music inter-spliced between the sounds of Bernie exploring Dendrophilia.

"The slotted spoon 'can' catch the potato..." *suggestive woody rubbing noises*
"I need that shoe to have a baby..." *soft panting and the rustling of bushes*

Broadway can finally take a place in the mental health, sexual health, and soft core porn markets with this one. Talk about expanding Broadway's audience base :)



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