Dechelle Damien

BASED ON A TRUE STORY is a performance series created by Wreckio Ensemble solely through letters, journal entries, and emails submitted by our audience. THE SEX EDITION is all about sex! Wreckio is bringing back the one night stand that ends with sandpaper, the tale of a week's worth of cross-gender sex, the Russian mail-order bride looking for love, and possibly your own dirty little secret.

BASED ON A TRUE STORY is a performance series created by Wreckio Ensemble solely through letters, journal entries, and emails submitted by our audience. THE SEX EDITION is all about sex! Wreckio is bringing back the one night stand that ends with sandpaper, the tale of a week's worth of cross-gender sex, the Russian mail-order bride looking for love, and possibly your own dirty little secret.

BASED ON A TRUE STORY is a performance series created by Wreckio Ensemble solely through letters, journal entries, and emails submitted by our audience. THE SEX EDITION is all about sex! Wreckio is bringing back the one night stand that ends with sandpaper, the tale of a week's worth of cross-gender sex, the Russian mail-order bride looking for love, and possibly your own dirty little secret.

Horse trade Theater Group presents Wreckio Ensemble's production of BAIL OUT: THE MUSICAL Written by Wreckio Ensemble, Music & Lyrics by Will Larche, Directed by Kimberlea Kressal

The government is bailing out theater. But, if you want a slice of Uncle Sam's pie you have to make a musical! Can a group of indie artists receive the funding? Watch this absurd comedy about how far people are willing to go to cash in on the opportunity of a lifetime.

Wreckio Ensemble's new play 'Bail Out: The Musical' is a clever piece about theatre artists and compromising one's ideals.

The government is bailing out theater. But, if you want a slice of Uncle Sam's pie you have to make a musical! Can a group of indie artists receive the funding? Watch this absurd comedy about how far people are willing to go to cash in on the opportunity of a lifetime.

The government is bailing out theater. But, if you want a slice of Uncle Sam's pie you have to make a musical! Can a group of indie artists receive the funding? Watch this absurd comedy about how far people are willing to go to cash in on the opportunity of a lifetime.

Wreckio Ensemble presents 'Rooftops', a fascinating new play by Karly Maurer, set in a dystopic future where debtors are forced into sexual slavery.

WRECKIO ENSEMBLE is pleased to announce the world premiere production of ROOFTOPS, directed by Kimberlea Kressal. ROOFTOPS will play a four-week limited engagement at The Milagro at Clemente Soto V?lez Cultural Center (107 Suffolk Street, New York, NY 10002). Performances begin Thursday, March 5 and continue through to Saturday, March 28. Opening Night is Saturday, March 7 (8 p.m.). ROOFTOPS is a satiric commentary on the economic divide present in American society. When Crane is ripped from her world of comfort and convenience and catapulted on to ?the Tops?, she is introduced to a world of women living and working in a futuristic ?debtors prison?. These women, under constant sedation, unlivable conditions, and government experimentation, are quickly deteriorating both mentally and physically. As she learns the rituals and rules of her new home, including a regimented diet of fast food chicken and an expectation to breed with the rooftop's male watchdog, Crane's hope of ever returning to her old life seems impossible. When an Arab-American man, who is demonized by the media as a terrorist, offers Crane a chance to end the suffering of the rooftop dwellers, but possibly sacrifice herself in the process, Crane is forced to question the worth of one human life versus the freedom of thousands.

WRECKIO ENSEMBLE is pleased to announce the world premiere production of ROOFTOPS, directed by Kimberlea Kressal. ROOFTOPS will play a four-week limited engagement at The Milagro at Clemente Soto V?lez Cultural Center (107 Suffolk Street, New York, NY 10002). Performances begin Thursday, March 5 and continue through to Saturday, March 28. Opening Night is Saturday, March 7 (8 p.m.). ROOFTOPS is a satiric commentary on the economic divide present in American society. When Crane is ripped from her world of comfort and convenience and catapulted on to ?the Tops?, she is introduced to a world of women living and working in a futuristic ?debtors prison?. These women, under constant sedation, unlivable conditions, and government experimentation, are quickly deteriorating both mentally and physically. As she learns the rituals and rules of her new home, including a regimented diet of fast food chicken and an expectation to breed with the rooftop's male watchdog, Crane's hope of ever returning to her old life seems impossible. When an Arab-American man, who is demonized by the media as a terrorist, offers Crane a chance to end the suffering of the rooftop dwellers, but possibly sacrifice herself in the process, Crane is forced to question the worth of one human life versus the freedom of thousands.