Joseph Travers

Hillary Clinton will be moderating a BroadwayCon panel with legendary women of Broadway! The panel will feature LaChanze, Julie White, and Vanessa Williams, and take place on Friday, July 8 at 1 PM. 

BroadwayCon, the premiere fan convention for all things Broadway returns July 8-10, 2022 at the Manhattan Center & The New Yorker Hotel, this year's BroadwayCon marks the convention's first in-person gathering in two years, bringing theatre fans closer than ever to some of Broadway's newest and most exciting shows.

BroadwayCon, the premiere fan convention for all things Broadway, today announced the programming lineup, featuring performances and appearances from some of Broadway's biggest shows and influential names in theater. 

On August 1, N. Richard Nash's daughter, Amanda, who lives in Massachusetts, came to see East Lynne Theater Company's 'The Rainmaker' and brought four cousins, including Lois, the daughter of Nash's sister Mae, who was the inspiration for 'Lizzie' in this comedy-drama. They all loved the play, which again received a standing ovation. Amanda thanked director Gayle Stahlhuth for 'bringing this family back to life' in such 'a wonderful production.' She grew up with this play and the profits from it paid for her college education.

'I tried to tell a simple story about droughts that happen to people, and about faith,' wrote N. Richard Nash (1913-2000) in regards to his own profoundly beautiful play, 'The Rainmaker.'

"The main purpose of NAMT (National Alliance for Musical Theatre) is preservation of the art form. We are committed to keeping musical theatre moving forward and changing with the times. MSMT is a founding member of NAMT, and our decision to produce TREASURE ISLAND A MUSICAL ADVENTURE is our way of participating with new work." The speaker is Curt Dale Clark, MSMT's Artistic Director, who is part of a panel of cast members from the theatre's East Coast premiere of the new musical version of Robert Louis Stevenson's novel, which is currently wowing audiences at the Pickard Theater in Brunswick. Clark, together with actors Aaron Ramey, James Patterson, Michael Iannucci, and Gabriel Rosario spoke with BROADWAY WORLD's Carla Maria Verdino-Sullwold on July 3rd in the second of MSMT's PEEK BEHIND THE CURTAIN program at Curtis Memorial Library.

There is magic afoot at MSMT's Pickard Theater - and miracles! Not supernatural ones, but rather those that happen when a fresh new work of musical theatre dazzles the public with its excitement and beauty. And that is exactly what Marc Robin and Curt Dale Clark's TREASURE ISLAND A MUSICAL ADVENTURE does as its charts an epic and extraordinary course that gives MSMT audiences a production that is grand, genuinely thrilling, and emotionally satisfying in a timeless way. Robert Louis Stevenson's novel has been adapted for stage and screen numerous times, but none has been as compelling, as simultaneously classic and contemporary as this new musical version, which had its world premiere at the Fulton Theatre in 2018. This East Coast premiere of TREASURE ISLAND offers audiences an opulent production, a brilliant team of creatives, cast, and crew, who pour all their energies into crafting an adventure for the ages. Known for bringing 'Broadway to Brunswick,' with TREASURE ISLAND MSMT has produced a show that is worthy to inhabit any Broadway stage and to find a lasting place in the American musical repertoire.

Gallery Players announces the final show of its 50th season with the critically acclaimed and timely, Ragtime.  At the dawn of a new century, everything is changing…and anything is possible.  Ragtime comes to Brooklyn, a show which Bloomberg News has hailed as "explosive, thrilling and nothing short of a masterpiece.

The workshop of award-winning composer/lyricist/playwright/performer Max Vernon's new musical THE VIEW UPSTAIRS, directed by Scott Ebersold and with choreography by Spencer Liff and music direction by Matt Aument, will hold their industry presentations this week, starting today, March 31st, and continuing tomorrow, Friday, April 1st, in New York City.

The workshop of award-winning composer/lyricist/playwright/performer Max Vernon's new musical THE VIEW UPSTAIRS, directed by Scott Ebersold and with choreography by Spencer Liff and music direction by Matt Aument, began rehearsals last week in New York City and will culminate in three industry presentations on March 31st and April 1st. THE VIEW UPSTAIRS is produced by Invisible Wall Productions, and they are proud to announce the cast and creative team.

?Gallery Players announces the much anticipated production of the award-winning play, One Flew Over the Cuckoo's Nest based on the novel by Ken Kesey, and adapted for the stage by Dale Wasserman.  Cuckoo's Nest continues Gallery's 49th Season of operation.  This production will be directed by Mark Harborth, with an opening night on March 12th at 8:00 pm.      

For those who didn't have the opportunity to meet the cast of the award-winning Equity professional East Lynne Theater Company's "Within the Law" at the opening night after-show party at Aleathea's Restaurant on September 17th, another chance is to be had on Friday, September 26 at an after-show Q&A. It's a wonderful opportunity for patrons to ask such questions as "why do they do what they do?" and "how does one find these scripts?"

The award-winning Equity professional East Lynne Theater Company presents the 1912 Broadway sensation, "Within the Law," from September 17 through October 12, with an 8:00p.m. curtain, and a Wednesday through Saturday schedule, except there is no show on Wednesday, October 8, and an added show on Sunday, October 12 at 7:30p.m.

On Friday, August 22 at 8:30p.m., there will be an American Sign Language Interpretation of 'Zorro!' produced by the award-winning Equity professional East Lynne Theater Company.

For those who didn't have the opportunity to meet the cast of the award-winning Equity professional East Lynne Theater Company's "Zorro!" at the opening night after-show party at the Washington Inn on July 23, another chance is to be had on Friday, August 1 at an after-show Q&A. It's a wonderful opportunity for patrons to ask actors, director, and technical team such questions as "why do they do what they do?" and "how do they do it?"

The award-winning Equity professional East Lynne Theater Company's next production is a swashbuckler: the world premiere of 'Zorro!' based on Johnston McCulley's 'The Curse of Capistrano' (1919) adapted by James Rana. Spanish for 'fox,' Zorro fought the oppressive colonial government in Spanish California with a quick sword and wit. Wearing a mask, he kept his identity secret, even to the woman he loved. In 1939, Bob Kane and Bill Finger gave credit to McCulley's masked avenger, with his dual identity, as their inspiration for 'Batman.' Like Bruce Wayne and Batman, Don Diego and Zorro are never seen together at the same time.

Beginning Thursday, August 15th, the Harbor Stage Company will present the final production of their second season, Sam Shepard's modern classic Fool for Love. The tempestuous drama will be directed by acclaimed theater artist Jeff Zinn and feature performances by Artistic Director Robert Kropf, co-founders Stacy Fischer and Jonathan Fielding, and Outer Cape actor Tom Brogan in his Harbor Stage debut.

Following rave reviews Too Much Memory, written by Keith Reddin and Meg Gibson, and directed by Ms. Gibson, has sold out its run through its closing on Monday, December 22, at the Fourth Street Theatre, 83 East 4th Street. The Rising Phoenix Repertory and Piece by Piece production opened Tuesday, December 9, to rave reviews as part of New York Theatre Workshop's Jonathan Larson Lab. All performances are sold out. Those wishing to be put on a waiting should arrive at the theatre 45 minutes prior to curtain.

Too Much Memory, written by Keith Reddin and Meg Gibson, and directed by Ms. Gibson, begins performances tonight at 8:30pm at Fourth Street Theatre, 83 East 4th Street. The Rising Phoenix Repertory and Piece by Piece production is set to open Tuesday, December 9, at 8:30pm. Too Much Memory is a project of New York Theatre Workshop's Jonathan Larson Lab.