Karinne Keithley

The Tank has revealed the cast and creative for their next two Core Productions, The Human Dream Project. Learn more and see how to purchase tickets!

2024 NYC Indie Theatre Film Festival has revealed the full lineup featuring feature-length films, short films, and more. See the lineup and learn how to purchase tickets.

The Tank will present additional productions for the Winter/Spring 2024 Core Productions season. Learn details!

​​​​​​​Target Margin Theater has announced details for The Hidden Secret, the Obie award-winning company's 2023-2024 season. Learn more about the season here!

The Tank (Meghan Finn, Artistic Director; Johnny G. Lloyd, Director of Artistic Development; Molly FitzMaurice, Managing Producer) has announced their Spring 2024 Core Productions for their 20th Anniversary season. Learn more here!

Brooklyn College MFA Playwriting Program's Bring a Weasel and a Pint of Your Own Blood returns for its 15th year at The Brick Theater on Friday, June 9th and Saturday, June 10th, 2023 at 8pm.

Revolutionary punk-rock sensation Hedwig and the Angry Inch is coming to Olney Theatre Center this winter (November 26, 2021 to January 2, 2022) starring Mason Alexander Park, who earned a Helen Hayes Award for Best Leading Performer in a Musical for their role as the Emcee in Olney’s 2019 production of Cabaret. 

Helen Hayes Award-winning performer Mason Alexander Park (they/them/theirs) returns to Olney Theatre Center in November to play the title role in Olney's production of the internationally acclaimed rock musical Hedwig and the Angry Inch.

The festival, which launched February 1 and will run through June 30, 2021, features a diverse range of works that use the medium of mail in a broad range of ways.

A collective of 13 theater groups and artists from across the globe will join forces for POST THEATRICAL, a festival of works that use mail as a theatrical medium. The festival, which launches in February and will run through June, 2021, features a diverse range of works that use the medium of mail in a broad range of ways.

The Flea Theater hosted a Mac Wellman Symposium: THE ART OF STACKING THE DECK October 4-6, 2019. The three-day symposium was a rare opportunity for Wellman enthusiasts to gather to share stories and dig deep into the mysteries of Wellman's writing.

The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists.

Works & Process, the performing arts series at the Guggenheim, presents a Works & Process dance and costume commission by Reid Bartelme and Harriet Jung with new choreography by Christopher Williams and Netta Yerulshamy in collaboration with NYU's Institute for the Study of the Ancient World's exhibition, Hymn to Apollo: The Ancient World and the Ballets Russes, on Sunday and Monday, April 28 and 29, 2019 at 7:30pm

New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”,  and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Enter Claire's brain. A psychic parasite lives there: a hungry ghost, her mother. In order to exorcise this haunt from her brain, femme pathos breaks open on the Brocken at Walpurgis Night: a gay bacchanal where the doctor and Three Lords will surgically remove the pathogen of misplaced femininity - or was it homosexuality - or some other trauma lodged in the depressed body? Claire and her mother un/become each other in the limbo of a dance-theater spectacle attempting to answer the queer eng nue's burning question: 'What is insanity without the patriarchal landscape?'

The Martin E. Segal Theatre Center at The Graduate Center, CUNY is pleased to announce the full lineup of its thirteenth annual PRELUDE Festival.  Dedicated to artists at the forefront of contemporary New York City theatre and performance, PRELUDE 2016 features an array of artists working in theatrical and interdisciplinary performance.  The festival gives audiences and artists a survey of the current moment in New York via in-process performances, conversations, and workshops.

La MaMa proudly presents I'm Bleeding All Over The Place: A Living History Tour, conceived and directed by Brooke O'Harra, text by Brooke O'Harra and Casey Llewellyn, with Erin Courtney, Kristen Kosmas and Heidi Schreck, and original music by Brendan Connelly. I'm Bleeding All Over The Place runs from June 16 - 26, 2016 at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City.

La MaMa presents I'm Bleeding All Over The Place: A Living History Tour, conceived and directed by Brooke O'Harra, text by Brooke O'Harra and Casey Llewellyn, with Erin Courtney, Kristin Kosmas and Heidi Schreck, and original music by Brendan Connelly. I'm Bleeding All Over The Place runs from June 16 - 26, 2016 at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City.